Getting Back to Blogging...

Spring... a time of renewal.

It seems that cycles of writing regular blog posts interspersed with weeks/months of being incommunicado affect many bloggers, and unfortunately I am no exception. Apologies. It is not due to being inactive on the art front... in fact the pause often happens initially because of a very active phase and not having the time and energy. Then it becomes harder to get going again. So a very quick update and then I will move on and re-commit to this blog as I do love the way it can act as an online diary and record of a life in art, while at the same time inspiring others, hopefully.

If you pop onto my page for Art Events & Teaching you will notice that I am running regular classes and workshops throughout this year at Norfolk Creative Arts, an exciting new venue in Grimston, West Norfolk. There are a wide variety of tutors, subjects and media so if you wish to investigate visit www.norfolkcreativearts.co.uk and there is sure to be something to tempt you!

Spring Term Wednesday Weekly Mixed Media Classes
at Norfolk Creative Arts are now in full swing! 

Aside from all the planning for these classes I am also busy with personal artwork as a joint exhibition with another artist is looming on the horizon in May. More details will follow in the next few weeks but we are both creating mostly new work for it and the beautiful village hall in Thornham is quite spacious, so the pressure is beginning to mount.

Some images of work that may be included in the upcoming exhibition...

Woodland (North Wootton) in compressed charcoal & white pastel © Tod Evans

Barn Owl, using limited watercolour palette and charcoal pencil
- a quick animation here to show you how it built up...

Close crop of Teasels in pencil, white gesso and acrylic 

© Tod Evans

Views of seascape in watercolour, gouache & Inktense pencil
as it built up © Tod Evans

Roydon painted in acrylic with palette knife
© Tod Evans

The beach at Old Hunstanton in acrylic © Tod Evans

So a little sneak peak at some of the contenders to be included, there are works still in progress (not shown) and I am excited about work yet to be created! Will keep you posted on new developments but if you are in Norfolk over the weekend of 14th and 15th May, 2016 we would love to see you at our exhibition Into the Woods & Beyond to be held in Thornham Village Hall, PE36 6LX.

Sketchbook work continues as well, and possibly may be included for perusal...

Sketchbook work continues...

Finally, a recent exhibition visited by myself and family was Painting the Modern Garden: Monet to Matisse at the Royal Academy in London. There was (and is) a close connection between many artists and their gardens and it's natural that they wished to explore ways of depicting the colours, shapes and features, often working in them as outdoor studios. Monet is the key artist in this fine exhibition but there are examples by Caillebotte, Pissaro, renoir, matisse, Van Gogh, Klimt, Bonard etc. Also some artists I had not encountered before, Joaquin Sorolla being one and I plan to research more about him. It is Monet, however, who resonates the most and the work inspired by his lily pond is sublime. Despite over exposure on packaging and household items over the years, to see the paintings in real life is to fall in love with them all over again. The fusions of colour, the abstraction of motifs and the free brushwork is totally absorbing. The finale, the triptych, in the last room is breathtaking - the sheer scale - so that as a viewer you are compelled to move up close and study the fragmented textures and colours before stepping back right back to appreciate the whole again. Like a little dance forwards and backwards we go repeatedly, drinking in the artwork with the senses. I really did not want to leave that painting and having visited Monet's garden in Giverny it is as relevant today as it has ever been.

Superb exhibition, well worth a visit.

The exhibition runs until April 20th so I encourage you to go and see it if possible!

Photo Essay - Catching Up News...

Aaagghhh... busy, busy, and trip to France is imminent, but I want to quickly catch up with the news of recent activities! So, here is an edited photo essay...

Tried some more nature printing. This one shows the ferns laid on acrylic inks,
which should have resulted in a lovely print. You can also see the rock salt particles
sprinkled on, intended to leave interesting textures when dry and brushed off.
However, the ferns just stuck fast in the acrylic and broke as I tried to prize away from the
dried inks - although a failure I learnt something at least!  

At the same time I was repeating the exercise with ferns and rock salt with watercolour.
This approach worked much better. The feather at the top was created with black printing ink
and the work felt very unbalanced as this dominated the image. After the addition of some black
coloured pencil in select areas around the ferns it seemed to come together.  

I also cut up some heavyweight cartridge paper to print on and made them into cards.

Social Sketchbook event in June at Castle Rising. Well attended and finally some
reasonable weather. An area worth visiting again as there is much inspiration. 

This double page spread is pure watercolour, no pencil drawing first, and was
also completed at Castle Rising. It took about 40 minutes, is very sketchy but a memory of
looking across to Babbingley.  

Selected sketchbooks by the group at castle rising. We all completed several
sketches each so going with the intention of drawing is certainly productive.

My five paintings at Welborne Arts Festival with other members of
West Norfolk Artists Association. A well organised and supported festival but weather
was sunshine and showers. Lots of families, interested in our artwork but not looking to
buy art on a fun day out... Difficult to see the work in this photo due to reflections
on the glass, apologies.

I was treated to a marvellous day out at Mundesley on the North Norfolk coast
by two friends and we sketched on the beach. This is watersoluble pencil over a
pre-prepared gesso base tinted with acrylic. Lovely company, great scenery and
fantastic food - once again "thank you" Kay and Sue!

Social Sketchbook event in Old Hunstanton earlier this month.
Hottest day of the year so far! 

Pen and wash sketch looking towards the famous Hunstanton cliffs.

Looking out to sea. Watercolour washes then dip pen and walnut ink to capture some
of the figures.  

An amazing hollyhock that has grown outside my studio this year. It must have
been a amongst the wildflower seeds I sprinkle each year (usually in vain).

Charcoal drawing from the hollyhock.

Loose variegated sweeps of neocolour crayon and
charcoal pencil line drawing on top. Yes, the hollyhock again. 

I'm feeling happier now, we are all up to date. Note to self: try posting shorter entries but more often!

Please feel free to comment on anything in this blog, I would love to know your views or if you have any questions. In the meantime, France awaits so - Au Revoir!

  

Holiday Sketchbook in France

Creating a watercolour sketch in Le Crotoy 

Bonjour!  I have returned from an amazing, relaxing holiday in France.  Just an hour from Calais, on the outskirts of a town named Rue, in an incredible Chateau for a whole week.  Bliss.  When will I realise how much easier it would be to post more frequently?  With hindsight I could have explored the possibility of using my mobile phone to upload images and text to this blog.  I have quite a few images to share with you of work done in 2 different sketchbooks.  One was a gift from friend in the West Norfolk Artists Association - by Derwent (17 x 12cms) it has useful pockets inside the soft suede-like hardback cover to store receipts or collected ephemera.  I discovered that pencil and pen glide beautifully over the paper surface but light washes of paint soaked in immediately.  This sketchbook became ideal for quick line drawings when time was short.  The other sketchbook is from Stillman & Birn in the Delta Series (14.5 x 22cms).  I had read a lot of favourable comments about this brand and wanted to try it myself.  It's a little larger than A5, black hardback, and I found it takes watercolour, water soluble pencil and Inktense pencils really well.  This sketchbook then is perfect when time is more flexible and I can settle down with some watermedia. Here's the art kit I took with me:



Art equipment fits into small (stylish) shopper bag

  

Large pocket on front of handbag perfect for sketchbook & small pencil case

 



I shall not bore you with lots of words and waffle this time but hope you enjoy the following photos of some of the sketches I made during my week in France.  Oh, starting with a few from Dover as we stopped there the night before taking the ferry...

Two views from sitting on a bench in Dover

A few captured lines from studying the ever moving seagulls and pigeons on beach

The harbour gets busy with people and the local sailing school

 

Evening stroll, stopped to watch cattle by Chateau entrance

Inktense pencils - attempt to cope with all those greens!

 

Guess where I am...

Monet's House and Garden, Giverny

Not brilliant but looking at it brings the experience back fully - the receipt
 was from early lunch and yes, I had small Prittstick in my pencil case! 

 

The famous bridge - painted on a wet afternoon in the Chateau from my photo
 (the only one not from life)

Water soluble graphite pencil to describe misty start to the day



 

A second sketch with soft diffused watercolour washes

Looking out across bay at Le Crotoy

Pencil sketch - view across site Battle of Crecy, 1346

Visit to museum at Azincourt.  Overheard young girl whisper to parent "I saw a lady drawing in her book"...

Observing cattle just up the lane from the Chateau

 



The cattle quickly lost interest in me, and I was left in no doubt

Nell the Chateau cat is very old - like most of the fixtures & fittings in the Chateau!

Lovely way to spend an hour on our last afternoon in France

I have a confession.  I did try one plein air painting with water mixable oils in the week.  I stood in the delightful Chateau grounds and attempted to paint the building itself, framed by trees.  I thoroughly enjoyed the process despite struggling to depict the façade of the building and all the windows without getting fiddly.  However, I confess to it being a total disaster.  The painting looked very flat and unconvincing.  Take heart - it happens to all of us!!!  Nothing for it but to keep on trying.  And I have a cunning plan to keep me motivated and to continue working from life - a self set project in the pipeline.  I shall reveal all in another post soon.

Rear view of Le Chateau du Broutel



Art Review 2012

I have been reviewing my 2012 art year, and tomorrow will add a post about plans for 2013.

2012 has been a more focused, productive year for me, which was what I had hoped for.  My classes at Henderson Art & Framing continued for the usual three terms (of eight weeks duration each) - see www.hendersonartandframing.co.uk for details about upcoming classes.  I started this blog in May, hit a long slump but have rallied, with new resolve, to end the year.

 

Outside of my regular classes the year kicked off when I organized a Sketchbook Evening for the West Norfolk Artists Artists (www.westnorfolkartists.org).  Members were invited to bring along some sketchbooks for an informal evening to give people a chance to look through and chat about sketchbooks - their uses, different ways of using them etc.  It was (thankfully) a rip roaring success, very inspiring.  I had already made a resolution to do more sketchbook work in 2012, and although I did make much more use of them, in all honesty, I could have done even more.

 

Water Mixable Oil Painting

  

In March I held a Water Mixable Oil Painting Workshop at Henderson Art & Framing.  These workshops are always enjoyable and cater for 10 - 12 participants.  They are marvellous value too as all materials are provided and in this case each student went away with tubes of paint, brushes, plastic palette and finished work on two small canvas boards!  Sue provides a delicious lunch and refreshments mid morning and afternoon.  If you live nearby and haven't tried a workshop before 2013 could be your chance.

May was a very busy month with 2 exhibitions and I participated in Norfolk Open Studios as part of the West Norfolk Artists at South Acre Church.  I was absolutely thrilled when I sold a painting in each venue! 

'Beauty of Charcoal' Workshop

July is the annual West Norfolk Summer Exhibition.  This year I was one of the three selectors / curators and opted not to show any work.  This is the second time I have taken on this role and find the whole process fascinating.  From the initial daunting task of being faced with a sea of artwork, to gradually whittling it down a selection of work that showcases the Association and its members to its best advantage takes several hours - and the following morning there are often additions as the exhibition takes on a life of its own.  During the exhibition the Association puts on free 2-hour workshops and I ran a 'Beauty of Charcoal' Workshop.  Participants worked from simple a still life each based on peppers and mushrooms and were led through a variety of techniques to get to grips with the possibilities of this marvellous expressive medium.

'All About Artbars' Workshop

Before my classes resumed in September I ran another workshop 'All About Artbars' at Hendersons.  These new triangular water soluble wax bars burst onto the art scene in the Spring and I had plenty of time to experiment and get to grips with them.  The workshop tackled using them as a drawing medium, diluting the colour with water to make luminous washes and then working back into them.  In the afternoon they were used thick and enabled scratching through juicy layers to get interesting textures.



 

 

Reductive drawing, willow charcoal, cartridge paper

 

Compressed charcoal on watercolour paper

 

Also in September there were two more exhibitions, both at the King's Lynn Art Centre.  Again I was delighted to sell work.  Finally in November I did my first art demonstration - at Park House, Sandringham.  I was given free rein so chose charcoal again as it is quick and expressive.  I had a two hour slot and decided to do a reductive drawing of a foal (lifting the lights and adding darks) before the teabreak.  I used compressed charcoal to do a quick head study of my old pony, Danny, after the break and used water to dilute and create inky washes and drips before drawing back into it to add definition.  Two very different techniques and fortunately got it all done in the time...

So, on reflection 2012 has been a busy and fruitful year for me.  But the real highlight of the year?  My two daughters both graduated from their respective universities!!!

Happy New Year.