Open Studio - First Weekend

Inside and out... studio ready for visitors

As I write and look out the window, heavy rain is lashing down and it takes me back to the start of the weekend when Paul and I struggled in the wind and rain to fix laminated notices to gateposts. However it cleared by early afternoon and Open Studios was up and running. I had a quiet first day and only two visitors so finished the day wondering if my fears of being too 'off the beaten track' were well founded. Sunday dawned bright and clear and I had a lovely day with a steady flurry of interested visitors. Some were members of the art classes I teach and keen to see where I create the sample work for the sessions delivered at the Henderson Art & Framing studio in Gaywood. Others were members of West Norfolk Artists Association and having met me, or heard of me, seemed to enjoy chatting about the challenges of being an artist and viewing my personal artwork. Neighbours called round to find out more about what I 'get up to' and, of course, the dedicated art lovers who browse the NNOS14 brochure to find studios they would like to visit.

Studio view... happy to put the kettle on while you look at work
and feel free to take a seat and chat about any aspects of being an artist.

Yesterday, Bank Holiday Monday, was once again bright with sunny spells despite showers forecast. I was delighted to receive visitors again interested in art and artist studios. I have Work in Progress on my table easel and floor standing easel, but haven't made much progress as I do love to chat! A major highlight of the day was when my mum and sister surprised me with a flying visit, they had travelled all the way from Hertfordshire.

Blocking in base layers for dog portrait using soft pastel

So, what can you expect if you visit? The walls display my personal artwork which includes many animal portraits, a particular passion, in a variety of media. There is a browser with mounted (but not framed) work and these include studies and still life subjects. A Bargain Basket contains loose work of mostly experiments or workshop studies. There is a stand with cards/postcards for sale and a display of artwork samples to promote the pastel and mixed media classes I teach. Further round is an area devoted to my Artist in Acre Project - self initiated and an ongoing task for the whole year. This brings us back to the Work in Progress, this will change as artwork gets completed and a new challenge gets underway.

Read the programme for current classes,
and view examples of work from previous sessions

I have also set up a table with natural objects and examples of drawings done with dip pens and Quink Ink. Feel free to have a go and experience the amazing properties of this permanent ink - ideal for use in a sketchbook (but not work for hanging as not lightfast).

Try your hand at drawing with a dip pen, and Quink Ink

This weekend has proved that there are family, friends, neighbours, acquaintances and art lovers who are local or from further afield, interested to see what Open Studios is all about. Thank you all for your interest and support, it is greatly appreciated and I look forward to meeting more of you over the next two weekends.

Visit www.nnopenstudios.org.uk for more information on participating artists.

Postcards for Eastern Open 2013

Mountain Gorilla, pen & wash, 10x15cms

Thought you might like a peek at the two postcards I have submitted to the Eastern Open 2013 exhibition.  Any day now I will receive an envelope to say whether the bigger paintings I entered have been selected or not.  To be honest I am expecting rejection - artists from across 7 counties send in work - and I'm not even sure I have seen animals in the final line up in previous years!  However, the postcards get shown in the Old Warehouse Gallery regardless of whether other work gets chosen.

The one above was from a photo taken at Bristol Zoo.  I did spend quite a bit of time trying to decide how to approach this task.  Should I prime the card first?  Which media could I use?  Should I create actual texture?  How could I create a unique, more contemporary piece on this 10x15cm postcard?  I have seen some very inventive creations over the years...  As time passed this task started to become more and more 'precious' and to grow in importance, but time was running out.  My inability to make a decision and get it done was making me feel increasingly irritated.  Eventually a little voice of reason surfaced - "keep it simple".  So that is what I did.  I grabbed an Edding pen and jumped straight into drawing (no pencil, no safety net) and with the photo before me I pretended I was sketching the live animal.  Using a medium that cannot be altered forces a certain amount of bravura.  I even used my travelling watercolour brush for the loose watercolour washes.  Hooray! One down, one to go...

Ring-tailed Lemur, pen & wash, 15x10cms

This is the second offering.  Again, my reference was a photo taken at Bristol Zoo.  I kept the same brazen approach of swiftly drawing with pen before applying the simple washes.  This little sketch makes me chuckle - the innocence of the foreground character on the left, totally oblivious to the wicked looking creature behind who is about to launch an attack by all accounts! 

I shall keep you posted about my other painted entries and chat about the work once I know what is happening.  Will they be hung in the Eastern Open 2013?  Or (most likely) come back to the studio without an audience?