Open Studio - First Weekend

Inside and out... studio ready for visitors

As I write and look out the window, heavy rain is lashing down and it takes me back to the start of the weekend when Paul and I struggled in the wind and rain to fix laminated notices to gateposts. However it cleared by early afternoon and Open Studios was up and running. I had a quiet first day and only two visitors so finished the day wondering if my fears of being too 'off the beaten track' were well founded. Sunday dawned bright and clear and I had a lovely day with a steady flurry of interested visitors. Some were members of the art classes I teach and keen to see where I create the sample work for the sessions delivered at the Henderson Art & Framing studio in Gaywood. Others were members of West Norfolk Artists Association and having met me, or heard of me, seemed to enjoy chatting about the challenges of being an artist and viewing my personal artwork. Neighbours called round to find out more about what I 'get up to' and, of course, the dedicated art lovers who browse the NNOS14 brochure to find studios they would like to visit.

Studio view... happy to put the kettle on while you look at work
and feel free to take a seat and chat about any aspects of being an artist.

Yesterday, Bank Holiday Monday, was once again bright with sunny spells despite showers forecast. I was delighted to receive visitors again interested in art and artist studios. I have Work in Progress on my table easel and floor standing easel, but haven't made much progress as I do love to chat! A major highlight of the day was when my mum and sister surprised me with a flying visit, they had travelled all the way from Hertfordshire.

Blocking in base layers for dog portrait using soft pastel

So, what can you expect if you visit? The walls display my personal artwork which includes many animal portraits, a particular passion, in a variety of media. There is a browser with mounted (but not framed) work and these include studies and still life subjects. A Bargain Basket contains loose work of mostly experiments or workshop studies. There is a stand with cards/postcards for sale and a display of artwork samples to promote the pastel and mixed media classes I teach. Further round is an area devoted to my Artist in Acre Project - self initiated and an ongoing task for the whole year. This brings us back to the Work in Progress, this will change as artwork gets completed and a new challenge gets underway.

Read the programme for current classes,
and view examples of work from previous sessions

I have also set up a table with natural objects and examples of drawings done with dip pens and Quink Ink. Feel free to have a go and experience the amazing properties of this permanent ink - ideal for use in a sketchbook (but not work for hanging as not lightfast).

Try your hand at drawing with a dip pen, and Quink Ink

This weekend has proved that there are family, friends, neighbours, acquaintances and art lovers who are local or from further afield, interested to see what Open Studios is all about. Thank you all for your interest and support, it is greatly appreciated and I look forward to meeting more of you over the next two weekends.

Visit www.nnopenstudios.org.uk for more information on participating artists.

Sketching in Norwich Castle, Natural History Room

Pop in For a Pound - opportunity for a quick drawing session...

Last Monday I accompanied my son to Norwich and while he went off on a mission of his own I decided to nip up to the Castle Museum. I fancied visiting the Natural History Room but wasn't sure what the ticket price would be. I decided if entry was full price, as I would only be there a short while, it wouldn't really be worthwhile. If it was a reduced rate then I would go for it. Well, what a stroke of luck! A scheme is currently running to encourage lunchtime visitors whereby you pay £1 for one hour, and as I had arrived at 12.50pm I still qualified for the discount. I checked that sketching with pencil in a sketchbook would be permitted and was told that was fine and fold up seats were available nearby if required.

I headed into the quiet calm of the Natural History Room and was delighted to see several students seated before the displays, all merrily drawing. I did make use of a seat and as time was limited I settled quickly before a glass cabinet with various antelope.

Great opportunity to study animals up close.

Several small parties of young school children trooped through, plus a few general visitors, but my eyes remained busy, flicking constantly between the taxidermy animals and the page of pencil lines as I attempted to describe the elegant curving lines of antelope and their amazing horns. An hour passed by in a flash and it was time to head back down to the shops, back to the hustle and bustle.

Why not seek out your local museum and spend time with your sketchbook instead of spending money and energy in the retail stores? Your mind and spirit will be refreshed, and you will have filled a few more pages!

 

Artist in an Acre - Personal Project for 2014

Personal project brief... and up and running!

Almost a fortnight into the New Year. Did you make any resolutions? How are they holding up? Having made so many last year I decided to be more focused on a single resolution for 2014 - and so a personal project has been born :  Artist in an Acre.

My aim is to maximize time spent on developing personal work and a visual language whilst exploring, discovering and documenting my front garden, patio area, back garden and in our small paddock. (Yes, you guessed, the area of these is probably just over an acre - "our little bit of England" as my husband describes it). The plan is to do this with research, investigation and interpretation through the processes of drawing/painting/photography and video. I have even composed a personal project brief! This step feels like a real commitment and already I am on my way...

Sketchbook pages 1

Sketchbook pages 2

Just after New Year we had the willow tree that grows alongside the studio pollarded, this is necessary every few years otherwise the branches scrape against the felt shingle roof and damage it. We all pitched in to help, but I did manage to grab a short time to try and record the activity. Constantly moving, no time for posing, I just had to keep looking at the figures even as my pencil moved across the paper... real 'action shots'.

Sketchbook pages 3

I have also scuttled up the paddock on another occasion when the sky and lighting were quite dramatic, to scribble a quick sketch with notes to act as reminders in case I'm inspired to work on a painting from it at some point. I have grabbed the opportunity to study some of the old apples still hanging on grimly to the apple trees in the front garden, knowing that if I delay the birds will have finished them off.

Sketchbook pages - apple studies in sepia Pilot pen

Currently I am working in a 81/2" x 12" sketchbook with good quality cartridge paper pages, I plan to do some work in situ on larger sheets of individual paper plus some paintings. So please do visit regularly to see what is happening.

Why not set yourself a project of some kind? Perhaps explore your own surroundings? Or maybe focus on still life for a period of time... or figures... or portraits...What might you achieve with a concentrated period of time on something specific? I would love to hear.

Captured on camera by my son!

Daffodils in Pastel

 

Studies of daffodils

Working on some class preparation today.  The pastel class starts next week with a session looking at bright, cheerful daffodils.  These are attractive but rather tricky flowers to portray convincingly, especially when viewed head on.  Some time spent studying the construction of the trumpet and arrangement of petals will certainly be of benefit, and a real specimen observed closely from various angles is even better! 







Basic structure, viewed from front

 





 

 

Formation of petals

 

 

Top 'frill' of trumpet curving outwards

 

 

The three images above show studies based on structure of the daffodil when viewed almost head on.  The daffodil can be broken down into a large outer disc (where the petals are) and the trumpet, which has a large circle for the outer edge of the 'frill' and an inner circle (top of the trumpet) with a smaller circle (base of the trumpet).  It is worth noting how the petals form diagonal pairs.  Finally, the secret to making the trumpet look like it is hollow is all down to correctly identifying the darker tone inside against the paler 'frill'... 

 

 

Dancing Daffodils, pastel Tod Evans 

 

 

Whilst daffodils are still in season go out and take a closer look, or treat yourself to a bunch, to discover the beauty of these amazing spring flowers!