Photo Essay - Catching Up News...

Aaagghhh... busy, busy, and trip to France is imminent, but I want to quickly catch up with the news of recent activities! So, here is an edited photo essay...

Tried some more nature printing. This one shows the ferns laid on acrylic inks,
which should have resulted in a lovely print. You can also see the rock salt particles
sprinkled on, intended to leave interesting textures when dry and brushed off.
However, the ferns just stuck fast in the acrylic and broke as I tried to prize away from the
dried inks - although a failure I learnt something at least!  

At the same time I was repeating the exercise with ferns and rock salt with watercolour.
This approach worked much better. The feather at the top was created with black printing ink
and the work felt very unbalanced as this dominated the image. After the addition of some black
coloured pencil in select areas around the ferns it seemed to come together.  

I also cut up some heavyweight cartridge paper to print on and made them into cards.

Social Sketchbook event in June at Castle Rising. Well attended and finally some
reasonable weather. An area worth visiting again as there is much inspiration. 

This double page spread is pure watercolour, no pencil drawing first, and was
also completed at Castle Rising. It took about 40 minutes, is very sketchy but a memory of
looking across to Babbingley.  

Selected sketchbooks by the group at castle rising. We all completed several
sketches each so going with the intention of drawing is certainly productive.

My five paintings at Welborne Arts Festival with other members of
West Norfolk Artists Association. A well organised and supported festival but weather
was sunshine and showers. Lots of families, interested in our artwork but not looking to
buy art on a fun day out... Difficult to see the work in this photo due to reflections
on the glass, apologies.

I was treated to a marvellous day out at Mundesley on the North Norfolk coast
by two friends and we sketched on the beach. This is watersoluble pencil over a
pre-prepared gesso base tinted with acrylic. Lovely company, great scenery and
fantastic food - once again "thank you" Kay and Sue!

Social Sketchbook event in Old Hunstanton earlier this month.
Hottest day of the year so far! 

Pen and wash sketch looking towards the famous Hunstanton cliffs.

Looking out to sea. Watercolour washes then dip pen and walnut ink to capture some
of the figures.  

An amazing hollyhock that has grown outside my studio this year. It must have
been a amongst the wildflower seeds I sprinkle each year (usually in vain).

Charcoal drawing from the hollyhock.

Loose variegated sweeps of neocolour crayon and
charcoal pencil line drawing on top. Yes, the hollyhock again. 

I'm feeling happier now, we are all up to date. Note to self: try posting shorter entries but more often!

Please feel free to comment on anything in this blog, I would love to know your views or if you have any questions. In the meantime, France awaits so - Au Revoir!

  

Owl Sketches & Painting on the Patio

Tawny owl & long-eared owl - taxidermy specimens.

These two visitors have been gracing my studio recently. They are taxidermy specimens (borrowed) and offer a great opportunity to study these beautiful owls. However, when working from taxidermy be aware that there can be discrepancies to the real thing - in this case both suffer from flattened feathers as they usually live in a local school and have been stroked a lot I think! The long-eared owl also has a rather alarming list to one side which I tried to correct in my drawing...

Tawny owl sketch, pencil.

Tawny owls are woodland birds and make the characteristic owl hoot. Several years ago I was fortunate to spy one sitting in a tree in the front garden at dusk. 

Long-eared owl sketch, pencil.

The long-eared owl does often have the long, thin appearance of this specimen and feature head feathers which are known as ear tufts. These are not actually ears, but get raised when the bird is alarmed. I have never seen one in the wild although they do live in Britain but don't seem to be as common as the tawny or barn owl.

Pericallis 'Senetti', charcoal on A3 cartridge paper.

Today I was determined to have a play with art materials and as the weather was warm and sunny I decided to work on the patio. To 'warm up' - artistically, not physically - I started with a charcoal drawing of a delightful potted plant. I was attracted by the simple flowers with long curvy petals and the leaf shapes. I blended charcoal onto the paper surface first to create a mid-tone and then used a charcoal pencil for the line work with an eraser to lift out the lights. The work builds quite quickly with this method and helps prevent fiddly detailing.

Fern in a patio pot, placed on the table for easier observation.

After a break for a cup of tea my eye fell upon this fern which lives in what I call my damp 'woodland' area of the patio... actually it's just a dank corner which never gets any sun, but the ferns and hostas seem happy there. I have added some logs, rocks and pebbles which have been colonised by mosses to support the theme. I began again in my 8x8" sketchbook by observing the curve and unfurling of several stems in pencil. Then moved into watercolour, initially using just the brush and paint but this seemed rather weak in terms of an image so I introduced pencil once it had dried.   

Fern drawn in pencil in sketchbook.

Fern in watercolour,
drawing directly with paint.

Added pencil to strengthen work,
but seemed lost on page...

Extended pencil work beyond
painted areas and finally
a rather wobbly 'frame' to anchor on page.

As I had hoped to get into actually doing a painting of some sort I decided to continue with the fern and taped two A4 size sheets of 140lb Bockingford watercolour paper (Not surface) to a board and placed this on a metal easel. As I wanted to get away from a totally representational image I chose to work with less realistic colour in a limited palette. I worked on both paintings simultaneously but present the sequences as Fern 1 and Fern 2 so the stages are easier to follow. 

Fern 1 - watercolour variegated wash & when almost dry
spattered clean water to create visual texture.

Fern 1 - added some strokes of colour with pastel sticks
then brushed clean water over this to disperse.
Once this layer had dried I began to draw with pastel pencil. 

Fern 1 - continued to build up fern motifs
until I felt I had 'said' enough.

And finally Fern 2...

 

Fern 2 - watercolour underpainting,
again spattered with water to create mottled effect.

Fern 2 - sweeps of pastel sticks then water brushed over
which creates drips and granulation. Once dry, pastel pencils
to describe fern forms.

Fern 2 - continue to build up painting
with addition of more pastel pencil.

Having experienced a bit of a drought on the creative front recently I am pleased with the results of this afternoon. I enjoyed working in the sketchbook first and certainly feel observing and sketching the fern before attempting the two mixed media paintings helped to create a looser interpretation. I certainly won't be exhibiting or framing them but feel there is some merit in the layering and textural qualities that appeal to me.   

If you also feel stuck in a rut or the creative well has temporarily run dry, take the pressure off and give yourself permission to be side tracked by small studies and experiments... who knows where they might lead?

WNAA Summer Exhibition

It has been very remiss of me not to do a post about the recent West Norfolk Artists Association Summer Exhibition.  This event is the main showcase for the membership and once again took place in St. Nicholas Chapel, King's Lynn.  Artworks entered undergo selection and this year there was some exciting work on show.  Unfortunately, having helped set up the exhibition, I was unable to attend the Preview evening which I hear was a resounding success and even had one member and his jazz band playing!  I did two invigilating stints and always enjoy engaging with visitors.  An added bonus in the second week were lunchtime concerts featuring young musicians and singers, an inspiring sound in such a stunning venue.

I had entered 3 works, and was delighted that they were all selected.  Some people were quite surprised by my acrylic canvas featuring beach huts and the watercolour of honeysuckle.  It made me realise that there is definitely a shift happening in the work.  It does all seem to be in a state of flux.  My more traditional animal portraits are on the backburner and all sorts of experiments and creative avenues are being explored!  It's a bit like throwing balls in the air and seeing where they land.  I may be investigating blind avenues or find that my creative voice evolves into something else.  I do know that I have long felt a desire to find a way to bring together more abstract passages with the representational aspect resolved in selected areas only... only time will tell and I shall follow my instincts for now and see where it leads.  I'm having fun anyway!  Here are the paintings I had in the exhibition and whilst a sale would have been welcome just taking part, and getting work before an audience, is valuable experience.

Curious, mixed media, 36 x 30cms

The mixed media involved in this one was a watercolour underpainting created with a roller, dip pen and ink drawing, then soft pastel scumbled over the surface.  The inspiration was from a photo I took in Wales on a bright sunny day.

Heaven Scent, watercolour, 36 x 30cms

This was painted from life - a sprig of honeysuckle from my garden - and created without any preliminary pencil drawing.  I just had fun with colour fusions and shapes and encouraging soft edges by touching clean water into select areas to encourage a 'bleed'. 




Evening Light, Hunstanton Beach Huts, acrylic on canvas, 41 x 41cms

This was a very free interpretation of a photo I took at the sketching evening back in June.  As we were leaving the beach a lovely low evening light bathed the beach huts and some long blond grasses lifting the ordinary into another realm.  There is a plenty of visual texture as I tried to let the history of its making show through the layers.

Daffodils in Pastel

 

Studies of daffodils

Working on some class preparation today.  The pastel class starts next week with a session looking at bright, cheerful daffodils.  These are attractive but rather tricky flowers to portray convincingly, especially when viewed head on.  Some time spent studying the construction of the trumpet and arrangement of petals will certainly be of benefit, and a real specimen observed closely from various angles is even better! 







Basic structure, viewed from front

 





 

 

Formation of petals

 

 

Top 'frill' of trumpet curving outwards

 

 

The three images above show studies based on structure of the daffodil when viewed almost head on.  The daffodil can be broken down into a large outer disc (where the petals are) and the trumpet, which has a large circle for the outer edge of the 'frill' and an inner circle (top of the trumpet) with a smaller circle (base of the trumpet).  It is worth noting how the petals form diagonal pairs.  Finally, the secret to making the trumpet look like it is hollow is all down to correctly identifying the darker tone inside against the paler 'frill'... 

 

 

Dancing Daffodils, pastel Tod Evans 

 

 

Whilst daffodils are still in season go out and take a closer look, or treat yourself to a bunch, to discover the beauty of these amazing spring flowers!