Drawing in a Museum - Hints & Tips

Travelling light... basic equipment for a few hours sketching

During the past week I have had lots of practise sketching in a museum setting - an activity I always really enjoy. The mixed media class I run takes place in the studio at Henderson Art and Framing in Gaywood, King's Lynn. For a change this term I put a 'field trip' on the programme. The two afternoon sessions took place in Lynn Museum, plus I went prior to these as the displays have been revamped since I last visited. I put myself into the mindset of a newcomer to this activity and jotted down some suggestions to discuss:

• Walk around - get the feel of the museum and what is displayed.
• What interests you / catches your eye?
• 'Warm up' - do some quick small sketches to get comfortable in environment / concentrate the mind / get hand-eye coordination 'on the go'.
• Move into more concentrated sketching / drawing - what interests you most about subject / object?
• More than one drawing of object? Same or different view / treatment / media?
• Make notes alongside sketches? Factual about object / subject or jottings about colour / light etc?
• Try different media / approaches?
• Multiple sketches on page? Larger drawing going across gutter / ringbinder? 
• Try turning sketchbook around for variety of formats - portrait / landscape etc.

Two members of the class busy with their sketchbooks
(yes, they gave me permission to use my photo here)

The two sessions were a great success, although a few members missed the opportunity for one reason or another. None of them had ever actually experienced drawing in a museum before. They settled quickly, generated several drawings each in their books in a variety of media and coped admirably! I was really pleased and hope that they might consider using sketchbooks more often when out and about. I stressed that it wasn't about making pretty pictures, or with a view to getting enough information to create paintings from. It was purely drawing for the enjoyment of studying and recording aspects of an object / subject that appealed. No pressure, so no problem. Try it for yourself, it could lead to whole new avenue to explore...

I shall leave you with some photos of my own efforts, and if you were wondering about the glue stick in the image at the top of this post - it's to attach the receipt to the page and make it an integral part rather than an after thought.

Start with simple shapes like these pots before trying a more complex study

  

Savage's Fairground Ride captured in water soluble pen
 - reminded me of 'Roadrunner' from the cartoon

Back to pencil and a line drawing of the timbers from Seahenge,
 it was the negative spaces between them that caught my eye

Water soluble pencil, and when I had gathered enough information
I moved on, no need to slave over a drawing

Ah, subject matter I love - translated on the page in sepia & black pen on the left,
water soluble pencil on the right 

Turn the sketchbook around for a different format
to better suit the subject... sepia pen and water soluble pencil
for added tone

Finally...

The Central Stump of Seahenge looking very sculptural and set off
with a dark scribble of pencil as a background

Sepia pen for these wooden carvings

Graphite pencil for this handsome beast

Thank you to the staff at Lynn Museum www.museums.norfolk.gov.uk who were very friendly and didn't mind us commandeering chairs and stools as we moved around the space tracking down objects of personal interest.

Another Attempt at YouTube Videos!

Tubes of watercolour

Watercolours seem to be featuring quite a lot in my recent work, and also in the mixed media classes that have just started back after the Christmas break. This medium is so seductive, but probably one of the trickiest as there are so many variables - and to my mind it works best when 'given it's head' a bit. The paint likes to move by itself in water and it is scary to not be totally in control, but this is when watercolour seems to be magic! I decided to have another go at making a YouTube video and use it to introduce the materials and some basic principles/techniques as hints and tips. My previous attempts were time lapse - this would involve speaking...

The introduction involved two attempts. The first time I tailed off at one point, forgetting what I wanted to say. However once I moved into chatting about the materials and the actual demonstration parts it was fine. In fact, once I'm off, there's no stopping me and I totally forgot that at the moment my YouTube account will only allow 15 minute maximum video length. I definitely exceeded that. Consequently, I had to discover (fast) how to edit and trim the video into two parts. Also how to join the short introduction so it was incorporated into the first section. So, the video has been posted in two parts again - not ideal but I will remember the shorter time frame in future. The good news? I also learnt how to use YouTube editor to add a title and an end frame with this blog address.

Thinking About Watercolour 1:  Introduction and Basic Materials

Thinking About Watercolour 2: Basic Hints and Tips

Hope you enjoy my efforts, and would love any feedback!

Sketching Frenzy in the Frost

Frosty morning. Pollarded willow branches piled high.
Sketchbook page.

From Artist in an Acre journal entry (this morning):

Bimbling around the bedroom - shower, drying hair, daydreaming. Throw back the curtains - sparkling frost! Already the weak pale light/warmth of the morning sun threatens to melt it quickly away. Thick jacket on and out I go.

In the studio I swish on a darkish background in black gesso with burnt umber, bronze yellow and a touch of white added. Opaque line work should work over the top to describe all the branches piled high on the bonfire.

Quick application of paint for dark background on pages.

Let out Somme, who snatches up his squashed basketball and heads off up the paddock at a rate of knots. I follow with sketchbook, collapsible stool and tin of Inktense sticks. Start straight into drawing with coloured linework mimicking the growth of branches and twigs. Can only use approximate colours and modify or try for 'frost' by utilizing the white. Dash in a few dark marks to hint at the depths of the pile. Side of green stick to suggest distant hedge, trees, then work heavily with white into this and over blue for sky - attempting to silhouette some branches against the sky. Using lighter colour try and cut in around base and edges of pile.

Close up detail of drawing.

Quickly assess - few more darks, think I can't say any more with this one.

Somme moves before I can note what's happening with hind legs...

Opposite page - already dark base painted on. Frost rapidly melting. Somme is stretched in the grass nearby - in white Inktense stick I attempt to describe his shape - block in negative space around. He moves. Settles again, new position. Flip over page. Dark stick on white of paper. Few lines - fairly high viewpoint as look across and down to him. He moves.

Bit better...

Suddenly acutely aware of cold. Silly, forgot to put gloves on! Pack away quickly. Somme energised by my movements - he snuffles at the sketchbook and tin on the seat of the stool. Thin tin flips off - lid flys off and - of course - tin lands open, upside down! Most sticks remain snuggled in the foam 'holder' of tin, a few fall out. Scrabble in frosted grass, now thawing, getting damp. Find all but one quarter of pale ochre. Fingers painful with cold by now. Calling the dog I pop to studio, leave equipment just inside the door. Somme put away in his run, snaffles the treats offered greedily. Up to the house to the warmth of the kitchen and ready for a cup of tea.

11 a.m. - all the frost has gone.

Somme, stool, sketchbook, Inktense sticks.
Frost almost melted... time to go in and warm up!

Holiday Sketchbook in France

Creating a watercolour sketch in Le Crotoy 

Bonjour!  I have returned from an amazing, relaxing holiday in France.  Just an hour from Calais, on the outskirts of a town named Rue, in an incredible Chateau for a whole week.  Bliss.  When will I realise how much easier it would be to post more frequently?  With hindsight I could have explored the possibility of using my mobile phone to upload images and text to this blog.  I have quite a few images to share with you of work done in 2 different sketchbooks.  One was a gift from friend in the West Norfolk Artists Association - by Derwent (17 x 12cms) it has useful pockets inside the soft suede-like hardback cover to store receipts or collected ephemera.  I discovered that pencil and pen glide beautifully over the paper surface but light washes of paint soaked in immediately.  This sketchbook became ideal for quick line drawings when time was short.  The other sketchbook is from Stillman & Birn in the Delta Series (14.5 x 22cms).  I had read a lot of favourable comments about this brand and wanted to try it myself.  It's a little larger than A5, black hardback, and I found it takes watercolour, water soluble pencil and Inktense pencils really well.  This sketchbook then is perfect when time is more flexible and I can settle down with some watermedia. Here's the art kit I took with me:



Art equipment fits into small (stylish) shopper bag

  

Large pocket on front of handbag perfect for sketchbook & small pencil case

 



I shall not bore you with lots of words and waffle this time but hope you enjoy the following photos of some of the sketches I made during my week in France.  Oh, starting with a few from Dover as we stopped there the night before taking the ferry...

Two views from sitting on a bench in Dover

A few captured lines from studying the ever moving seagulls and pigeons on beach

The harbour gets busy with people and the local sailing school

 

Evening stroll, stopped to watch cattle by Chateau entrance

Inktense pencils - attempt to cope with all those greens!

 

Guess where I am...

Monet's House and Garden, Giverny

Not brilliant but looking at it brings the experience back fully - the receipt
 was from early lunch and yes, I had small Prittstick in my pencil case! 

 

The famous bridge - painted on a wet afternoon in the Chateau from my photo
 (the only one not from life)

Water soluble graphite pencil to describe misty start to the day



 

A second sketch with soft diffused watercolour washes

Looking out across bay at Le Crotoy

Pencil sketch - view across site Battle of Crecy, 1346

Visit to museum at Azincourt.  Overheard young girl whisper to parent "I saw a lady drawing in her book"...

Observing cattle just up the lane from the Chateau

 



The cattle quickly lost interest in me, and I was left in no doubt

Nell the Chateau cat is very old - like most of the fixtures & fittings in the Chateau!

Lovely way to spend an hour on our last afternoon in France

I have a confession.  I did try one plein air painting with water mixable oils in the week.  I stood in the delightful Chateau grounds and attempted to paint the building itself, framed by trees.  I thoroughly enjoyed the process despite struggling to depict the façade of the building and all the windows without getting fiddly.  However, I confess to it being a total disaster.  The painting looked very flat and unconvincing.  Take heart - it happens to all of us!!!  Nothing for it but to keep on trying.  And I have a cunning plan to keep me motivated and to continue working from life - a self set project in the pipeline.  I shall reveal all in another post soon.

Rear view of Le Chateau du Broutel