Exhibition Round-Up and First Effort at Time-Lapse Video!

WNAA 'Small Works' exhibition in Shakespeare Barn, King's Lynn

The latest art exhibitions at the King's Lynn Art Centre are now in full swing.  All four galleries are showing work by local artists - so much talent in West Norfolk!  I have already done several sessions invigilating and always enjoy meeting visitors and getting feedback on any of the work on display. 



Pattern of Light, acrylic on canvas, 30 x 30 cms
My painting with selected grey background square in the
WNAA Small Works exhibition

Almost everyone comments on the novel approach to display in the WNAA Small Works exhibition.  I find it fascinating to see which colour each artist has chosen to enhance their work.  It is amazing how each becomes a little jewel in its own setting.  We have had a few people asking what the accompanied paint colour is called (perhaps inspired to use it as a feature wall in their home?) and in a previous year one artist who sold his artwork was invited to paint the square too.

'Wildlife in Art 2013' exhibition in The Fermoy Gallery, King's Lynn

A very different display for the Wildlife in Art 2013 exhibition - not an easy task to create an exhibition that flows with such an array of media, styles, shapes and sizes.  Congratulations to Peter, Ann and David - you did it!

In the photo above you can just about make out my owl painting.  I treated myself to a little camcorder a few weeks ago and made sure it was one that had a time-lapse recording function on it.  This enables a long period of time to be condensed into a much shorter time frame by only capturing snatches of images at pre-set intervals.  I have had a go at this while painting Monty: Eurasian Eagle Owl.  I am offering this short video to you for viewing, but apologize for any frustration it may cause - unfortunately I ran out of battery before I even started working on those gorgeous orange eyes!  I had been playing around with the camera and getting used to the various functions; I should have charged the battery before filming the painting session.  Learning a lesson the hard way...

To try and make amends I finish with a photo of Monty: Eurasian Eagle Owl.  My original reference photo was taken when Paul and I were in the Lake District and while exploring Kendal we came across an owl recue association promoting their work that had some of their magnificent birds with them.  Paul had the opportunity to have a large leather glove on his fist and Monty sat there quite content while I took some photos.  We left a healthy donation to support their work!

  

Monty: Eurasian Eagle Owl, acrylic on canvas, 
(copyright Tod Evans) 

The exhibitions at the King's Lynn Art Centre www.kingslynnarts.co.uk continue until Sunday 15th September, closing at 5pm, so if you are visiting the area I urge you to go along and have a look - there is something for all tastes and you will definitely come away inspired.  You may even be tempted to purchase some original art to hang in your own home.

Art Review 2012

I have been reviewing my 2012 art year, and tomorrow will add a post about plans for 2013.

2012 has been a more focused, productive year for me, which was what I had hoped for.  My classes at Henderson Art & Framing continued for the usual three terms (of eight weeks duration each) - see www.hendersonartandframing.co.uk for details about upcoming classes.  I started this blog in May, hit a long slump but have rallied, with new resolve, to end the year.

 

Outside of my regular classes the year kicked off when I organized a Sketchbook Evening for the West Norfolk Artists Artists (www.westnorfolkartists.org).  Members were invited to bring along some sketchbooks for an informal evening to give people a chance to look through and chat about sketchbooks - their uses, different ways of using them etc.  It was (thankfully) a rip roaring success, very inspiring.  I had already made a resolution to do more sketchbook work in 2012, and although I did make much more use of them, in all honesty, I could have done even more.

 

Water Mixable Oil Painting

  

In March I held a Water Mixable Oil Painting Workshop at Henderson Art & Framing.  These workshops are always enjoyable and cater for 10 - 12 participants.  They are marvellous value too as all materials are provided and in this case each student went away with tubes of paint, brushes, plastic palette and finished work on two small canvas boards!  Sue provides a delicious lunch and refreshments mid morning and afternoon.  If you live nearby and haven't tried a workshop before 2013 could be your chance.

May was a very busy month with 2 exhibitions and I participated in Norfolk Open Studios as part of the West Norfolk Artists at South Acre Church.  I was absolutely thrilled when I sold a painting in each venue! 

'Beauty of Charcoal' Workshop

July is the annual West Norfolk Summer Exhibition.  This year I was one of the three selectors / curators and opted not to show any work.  This is the second time I have taken on this role and find the whole process fascinating.  From the initial daunting task of being faced with a sea of artwork, to gradually whittling it down a selection of work that showcases the Association and its members to its best advantage takes several hours - and the following morning there are often additions as the exhibition takes on a life of its own.  During the exhibition the Association puts on free 2-hour workshops and I ran a 'Beauty of Charcoal' Workshop.  Participants worked from simple a still life each based on peppers and mushrooms and were led through a variety of techniques to get to grips with the possibilities of this marvellous expressive medium.

'All About Artbars' Workshop

Before my classes resumed in September I ran another workshop 'All About Artbars' at Hendersons.  These new triangular water soluble wax bars burst onto the art scene in the Spring and I had plenty of time to experiment and get to grips with them.  The workshop tackled using them as a drawing medium, diluting the colour with water to make luminous washes and then working back into them.  In the afternoon they were used thick and enabled scratching through juicy layers to get interesting textures.



 

 

Reductive drawing, willow charcoal, cartridge paper

 

Compressed charcoal on watercolour paper

 

Also in September there were two more exhibitions, both at the King's Lynn Art Centre.  Again I was delighted to sell work.  Finally in November I did my first art demonstration - at Park House, Sandringham.  I was given free rein so chose charcoal again as it is quick and expressive.  I had a two hour slot and decided to do a reductive drawing of a foal (lifting the lights and adding darks) before the teabreak.  I used compressed charcoal to do a quick head study of my old pony, Danny, after the break and used water to dilute and create inky washes and drips before drawing back into it to add definition.  Two very different techniques and fortunately got it all done in the time...

So, on reflection 2012 has been a busy and fruitful year for me.  But the real highlight of the year?  My two daughters both graduated from their respective universities!!!

Happy New Year.