Monday 29 December 2014

Creative Christmas - Sketching House Rabbits...

Sketching Odie using sepia Artline calligraphy pen 3.0
in a Goldline 8" x 8" harback sketchbook.

Apologies for my blog being quiet for so long... and I wish any readers a belated Merry Christmas! It seems to me that artists fall into one of two camps at this time of year. They are either rushed off their feet and spend every moment racing to fulfil commission commitments and seasonal greeting card orders, or, go very quiet and seem to fall off the creative planet as Christmas preparations (meal planning and family logistics) take over. This year I have definitely been in the latter mode... with a new kitchen thrown into the mix - which is almost finished. I must add that I have had a lovely Christmas and once the final shopping trip was done, and presents all wrapped, it has been great to spend time with family.

However, with my daughter visiting for the festive period I have finally managed to get my artist mojo back as she arrived with, not only her (new) husband, but her two house rabbits as well!


The two house rabbits - Odie on the left and Thor on the right.

I had two sketching sessions when Charley and I let the rabbits have the freedom of the conservatory to stretch their legs and for me to practise drawing live animals as they moved around (often at speed).

Thor investigating the sketchbook...

A brief moment when both rabbits are occupied and relatively still...
it didn't last long!

Pencil sketches of Thor.

A few brief lines then Odie was off, scampering around the conservatory!

Another day and another attempt - using pen this time.

Odie drawn in sepia Artline calligraphy pen 0.3,
and Thor drawn with Edding profipen 0.7



I tried working directly with watercolour using a water filled brushpen... hmmm, very dodgy results and page too wet to turn over and keep going. Decided to return to a more user friendly pencil.


Can't imagine why I thought it would be a good idea to try watercolour...
(once the page dried added a few pencil lines before moving on).

Ah, back to pencil and as Odie calms down a bit and nibbles fitfully on some
cabbage a more satisfying sketch emerges.







Close up detail of sketch capturing the character of Odie...

Thor still lively and only manage quick lines
as pencil dances across the page to try and keep up.

Some rear shots...

Lines showing more confidence in execution...

Final page of rabbit sketches - "such fun"!

The series of photos and the video clips highlight how tricky it is trying to make sketches from moving animals! My approach is to keep expectations low - focus on observing the animal, how does it move, what shapes does it make, what are the eyes, ears, nose like. What are the legs and feet like - how does this affect movement? All these fragments of lines, combined with hard questioning and looking, help to build up an understanding of the animal... page after page of simple elements are testament to the challenge of drawing a living creature and I am satisfied that I have learnt more about the animal, and drawing, during the process than from a single static photograph, especially if it is one that I haven't taken myself. However should I go on to create a more finished piece of work from a photo of Odie or Thor it will be with this first-hand knowledge backing up my intuition.

If you have the opportunity to work from live animals, grasp it, enjoy the challenge and accept the limitations imposed upon the results.

It just remains for me to wish you a Happy New Year and see you in 2015!

Saturday 15 November 2014

Sketching in Lisbon

Sketching by the River Tagus, Lisbon.

First, I must apologize for the break in blog posts. No excuses, and there have been many occasions when I think there are drawings, paintings or art events that I would like to share with you. I can only resolve to do better...

The most recent exciting excursion was a mini break with my husband to Lisbon in Portugal. Just a two-and-a-half hour flight and we find ourselves walking around a fascinating city with a vibrant mix of culture and history, wealth and poverty, all jostling side by side.


Mosaic style paving along the Avenida da Liberdade,
typical of much of the paving patterns in black and white around the city.

Our hotel was situated in a quiet side street just off the Avenida da Liberdade, a wide avenue that leads straight down into the heart of the city. After dropping the bags off at the hotel for safe-keeping (until later in the day when we could officially check in), we sat in the shade along here sipping coffee from a kiosk-style cafe as we orientated ourselves and settled into this new environment. As we got up to leave I recall mentioning to Paul "I must sketch this next time we sit here..." as I loved the dark shade under the trees contrasting with the bright sunlight. Silly me, should have done it there and then. We didn't actually pause there again and the opportunity / inspiration was missed!  

 

Sketch in pen with pencil shading to pull trees forward and 'frame' the building. 

We managed to pack in plenty of sightseeing, and purchased a 2-day ticket for the regular hop on - hop off tour buses with commentary offering insights to the area and buildings / events of note. A trip along the coast, up narrow twisting streets to the castle, around the key areas of the city and yet another, to the newest commercial part at night with some very contemporary architecture dramatically lit. Many of these areas were revisited on foot to investigate at a more leisurely pace. 


Sketch and notes from the Jardim Botanico.

The guidebook describes the Jardim Botanico as having 'a distinct air of neglect' but I wanted to visit anyway, and after a bit of a hunt to find the official entrance, we were pleasantly surprised. The complex comprises of two museums (Natural History and the Science museum housed within one large mansion) and ten acres of gardens. The ticket operative informed us that only last year it was finally recognised as a sight of special interest by Europe which meant that this year the government has released money to be spent on reforming it all to its glory. Already it was evident that much work had been done. I took a host of photos based on the effects of light and shade on the exotic trees, and when we rested on benches, I managed a few sketches.


Dark shade beneath the palms captured quickly in pencil.

All too soon our trip was at an end. There were still museums and places we would have liked to visit but choices have to be made, and we can recommend the Praca do Comercio, a visit to The Lisboa Story museum, the trams, the tour buses, the Castelo de Sao Jorge, the Monument to the Discoveries, and the old Carmelite church in Chiado with the graceful skeletal arches standing as a reminder of the 1755 devastating earthquake. Should we find ourselves back in Lisbon at any time a visit to explore the Gulbenkian Collection would be high on my list, plus some of the other fine houses and collections further afield. 

Imagine our surprise when we arrived at the airport, in the evening, to find that our flight home was cancelled due to a strike by pilots and aircrew! After some time staff managed to secure us seats for a flight the following day. To our delight we were booked into another four star hotel overnight, in the posh commercial area, all paid for by the airline and with a three-course meal and breakfast too. This proved to be a contemporary 'boutique' style hotel and contrasted with our previous one, also delightful, but old style traditional with heraldry and a calm air of gentile living and attention to the finer things in life.
    

Colourful tile montage of superheroes outside the hotel
for our unexpected extra night in the commercial quarter of Lisbon.

After a lovely meal, good sleep and hearty breakfast we had a few hours to fill before we needed to head back to the airport. A short stroll and we found ourselves along the riverside. It was bright and breezy and Paul had hoped the cable cars would be in operation. However I was a little relieved that they open later in the day as my head for heights isn't always good, and resolved to use the time for a sketch instead.


Cable cars along the promenade by the River Tagus. 

My view along the promenade working directly with pen,
perspective might be a bit dodgy but pleased I included
cable cars and some joggers.

A short break like this can be very inspiring and invigorating - highly recommended! Paul is already planning a short trip for next October, maybe Naples, and I am already planning to be much more productive next time in my sketchbook...which means plenty of practice between now and then.

If you are thinking of a trip, consider tucking a small sketchbook of quality cartridge paper, with a few pens, pencils into your handbag; maybe a waterbrush and petite watercolour pan set too?


Sketching equipment for Lisbon... Daler-Rowney hardback sketchbook (13.5 x 15cm),
small leather makeup bag used as pencil case, Edding black pen 07,
Pental 0.9mm clutch pencil (spare leads in pencil case), waterbrush
and Winsor & Newton watercolour pan set.
These all fit neatly in the front pocket of this handbag so I'm ready for action!


Thursday 28 August 2014

Life Drawing Day

Culmination of a delightful day...

A whole day earmarked for art during a busy, family orientated summer - sheer bliss! I attended the untutored life drawing day at Castle Acre. The event was held in a lovely village hall, tucked along a narrow country lane, with plenty of windows letting in lots of natural light (and offered lovely view of the ruined castle). The night before I was merrily trying to pack my art materials into a bag, and struggling as I seemed to have everything out of the cupboard! I had to tell myself out loud, "This is ridiculous, keep it simple..." and decided on taking charcoal, one box of pastel sticks and watercolours, along with a suitable selection of papers, drawing board and metal folding easel. I haven't painted with this group before, or in this venue, so also took water pot, kitchen towels and even plastic rubbish bags. We had been asked to bring along some food to contribute to a shared lunch so armed with a quiche, cherry tomatoes and grapes I was ready.

Evie, the model, was a delightful young woman - a dancer who now teaches and models in her free time. She was lithe and flexible and could make lovely shapes with her arms and legs. Over the course of the day she posed wearing a leotard, a fluid jersey dress and a marvellous black tutu.


Short poses to start...
3 minutes using charcoal on cartridge paper.

Interesting shaping in the leg position... charcoal.
Warming up, tackling 3-5minute poses.
(Charcoal on left, sepia pen on right).


More complex limb positions...
(brown pastel stick on left, charcoal on right).
Charcoal and pastel on tinted pastel paper...
actually two poses superimposed, can just see initial
one when Evie was other side of frame, facing me.


Charcoal to create initial mid-tone over paper,
then eraser to lift lights and charcoal stick to add line.

After tea break Evie popped a jersey dress
over her leotard. Lovely drapes and folds
 to describe the body now obscured.
(Charcoal and pastel on tinted pastel paper).


Beautiful pose - 20 minutes - charcoal
on lavender blue tinted pastel paper with pastel to pick out main highlights.
Another longer pose, 30 minutes, interesting
angle of head and shoulders from my position.
(Graphite pencil on cartridge paper).
Another pose, another medium - watercolour on Bockingford
paper (140 lbs, Not surface) and no pencil drawing first as time of the essence!


Whew, we were all ready for the lunch break! I am amazed at the drawings and variety of poses Evie has provided us with already. After an hour of food, coffee and chatting to get to know some of the the other participants (other than Helen, who organized the event, I was pleased to see several other artists I already knew)  we were all eager to crack on again...

Two longer poses this time offering the chance to settle into work with a bit more substance.


1 hour pose, watercolour as underpainting on Art Spectrum cream paper
with pastel and charcoal.
Evie creates such a beautiful shape - interesting angles in the negative spaces,
yet fluid lines in her body.

Final pose of the day (1 hour again) and Evie definitely deserved to rest.
My heart sank initially when I looked at this view, it seemed so 'flat' but the more
I looked the more intrigued I became - the unusual angle, the shapes of the arms, the thrust of the torso,
the perspective of the lower legs and all that lovely netting of the tutu.
As my eye delighted in the inky black of her tutu I was glad that I had tucked in some Quink ink to my supplies at the last minute - perfect! Turned out to be my favourite pose and work of the day.     
    

A day of looking and seeing. Transcribing in line, tone and colour the fascination of the human form in a variety of configurations, and in several different media. Time well spent. Thank you Evie and all the other friendly people for such a lovely day, and to Helen for organising it!


Saturday 16 August 2014

When Life Gets in the Way of Art... Don't Panic!.. 6 Strategies to Help

Happy event...Wedding of eldest daughter!

The summer break is in full swing. No classes until mid September, and I should be spending long productive days in the studio... except I'm not. Don't get me wrong. Life is good. Our eldest daughter got married last weekend. Our middle daughter has returned after over a year teaching English at a primary school in Mexico, and with us for the summer is her delightful boyfriend. As we visit local areas of interest it is as if we are seeing with fresh eyes, which can be a bonus. We have been visualizing and planning a new kitchen which is now ordered and likely to be installed in September... So lots going on, but none of them really to do with art. Potentially this is a period of art-making drought and it would be easy to hit the panic button. But I am now starting to get comfortable with the idea that creativity often waxes and wanes in cycles. And sometimes life just gets in the way. It is how we view this hiatus and what we do with it that is important.

1. Stay connected by using a sketchbook. Small portions of time can be treasured by opening the pages of your sketchbook and quickly recording something... anything... an idea, a view, a person, an object or even just jotting words, reminders, an experience.

Rodney in pencil and watercolour, from a photo
- a real character, full of life and fascinating stories...

Quick pencil sketch on another P&R bus journey.

Overcast, breezy day on Hunstanton Beach.
Note the minimalist art equipment I had in my handbag so I could work on location.

2. Visit inspiring events and make notes. During this period I visited Art in Action in Oxford with my family on what turned out to be the hottest day of the year to date!!! Lots of amazing creative arts and crafts people, so plenty to inspire... My sister and I attended a free one hour lecture about writing, all rather timely as I have been harbouring vague notions of sometime writing a book (non fiction and yes arty!) but all ideas still very nebulous... Out came the sketchbook for scribbled notes during the talk.

Notes made during a short lecture titled 'The Principles of Writing'.

3. Visit art exhibitions, even if a 'whistlestop tour'. Whilst visiting Norwich Castle Museum with family we did pop into the current exhibition about birds. This was a fascinating insight into how birds have inspired art in many forms and the clean lines of one sculpture particularly called out to me. A few pencil lines in the sketchbook and a note made of the sculptor so I can look online later were enough. I also nipped into the contemporary bird exhibition and again made note of artists whose work intrigued me... which neatly leads onto the next point.

The briefest note can be made and researched online later...

4. Research art / artists / blogs / videos online. Keep your interest alive by looking online and following some of those threads that take you on a tangent - I have discovered many new exciting talented people, jotted down notes on things worth trying and watched techniques being demonstrated. Plenty of ideas for my own work and/or classes in the future.

One of the things I keep track of is ideas and internet searches in my gorgeous 'fauxdori'.
 Look this up online (or midori) to read about this resurgence of 'commonplace' style books. 
  
5. Stay involved with your local art Association. If you belong to an art association, club or society try to stay involved. Submit recent work if possible for current exhibitions, attend social events and enjoy spending a short time with other artists. As a Committee member I was responsible for compiling the invigilation rota for the West Norfolk Artists Association Summer Festival Exhibition, although I was unable to assist with the hanging of the work this year. However I was back in Norfolk for the Preview Evening and manned the Enquiry/Sales desk to make up for it!

Recent painting exhibited in
WNAA Summer Festival Exhibition July 2014

 6. Take time out for 'art day' or even a short course. Earlier in the summer break I did seize the opportunity to be a volunteer for Tara Leaver as she wanted to work one-on-one with people who had an issue they would like help with. She is training to be a Creative Counsellor and is currently working under the guidance of Eric Maisel. I was delighted when she accepted me for the four week session with my proposal of wishing to find a way to create animal 'non portraits' (as we decided to call them). The sessions were all conducted via email with photos of work created as evidence of the processes / techniques tried during this period. Although Tara's work is very different to my own, her blog and words of encouragement / motivation / guidance were invaluable and I hope that the experience was mutually beneficial. I certainly never expected an instant answer to an ongoing issue I have periodically tackled for years but I have definitely felt a shift in vision and attitude and (when I get more time) new avenues to continue my explorations. A big heartfelt 'thank you' Tara for your insight, suggestions and feedback! Take a look at http://taraleaver.com and visit her blog...

Red squirrel 'pulled out' from wash of walnut ink
with sepia pen work for minimal detailing
and gouache to emphasize negative shapes.   

Blind contour drawing.
 Looking only at reference photo, as eyes travel around image,
the hand mimics this movement and drawing implement leaves traces as evidence.  

The technique below was tried first as a single drawing...


Charcoal sticks get placed between two sheets of paper...

The charcoal sticks are crushed - a mix of fine powder and small slivers.

Tip some of the charcoal mixture onto the drawing surface
and smear with hand to suggest essence of pose.

The end result - on this occasion a Perlin that looks rather pigeon-like, oh well...


The sequence below shows the stages of a drawing as several poses of the Perlin (Peregrine Falcon x Merlin) get superimposed over one another. Crushed charcoal is used to suggest the essence of the bird before a charcoal stick and eraser is used for mark making to suggest further detailing. The next image gets started over the top, but elements of previous work will act as a palimpsest and create a subtle influence. This drawing could never be repeated as freedom of marks, speed and intuition all come into to play to create such an energetic image. I loved this technique!  


1st stage

Result...

2nd stage...

Result...

3rd stage

Finished drawing. Such movement and energy - a non-portrait!

Detail of head showing tone, line and subtractive mark making.

Detail of mark making with eraser
- large sweeping movements of arm to produce corresponding marks in wing.

Well, that has brought us all up to date. Next week I have reclaimed a day for art by committing myself to a life drawing day in the village hall at Castle Acre. This will be an untutored session with a clothed model. As I haven't done any (human) life drawing for quite some time I am really looking forward to this and will let you know how I get on.

If you are also going through a time when art is having to take a bit of a 'back seat', I hope some of my suggestions will be useful and help you to carve out a few creative sessions, to maintain the connection with your creative self, and keep the panic at bay.