Open Studio 2014

Apologies, I can't believe that I left it so long without updating these blog posts! The busier I am, the more I have to potentially show you but the less time there is to sit at the computer. The sun is shining and there is a Bank Holiday weekend coming up - yes, it is that time of year again when artists across Norfolk throw open their studio doors and invite family, friends and the general public into their creative spaces. In previous years I have intermittently participated as part of a group in various locations, but this year I am opening my own studio here at home...

I have been doing some dusting and hoovering and sorting/organising the clutter that inevitably accumulates in the corners, but don't worry, it is unmistakably a working artist studio and I certainly plan to be drawing and painting during the opening times. I have enjoyed deciding what work to display and where, I think I should change things around on the walls more often! It can help to see work with fresh eyes. With just a few days left to go I now feel almost ready.

Almost ready... and here is a taster

 
For directions please visit the Norfolk & Norwich Open Studio website at www.nnopenstudios.org.uk or if you are local and have a brochure see page 66, under West Norfolk 14. Please note it is a different image in these locations - so look for the lemur!

In the meantime, here is a personal invitation. If you are in the area it would be lovely to see you. More news soon, and I will catch up news on my self-set 'Artist in an Acre' project.

Indian Ink

And the Day Came..., Indian Ink, Tod Evans

Recently I have been enjoying using inks in my work. Black Indian ink, when diluted, creates soft shades of grey. It diffuses gently when watered down, but try adding it full strength with a brush onto wet paper and it explodes in an exciting manner. The painting above was created in response to the challenge of making work inspired by poetry, song or quotations for the recent West Norfolk Artist Association spring exhibition. (Unfortunately the photograph has a very blue tint to it, apologies). The starting point was choosing a quotation, this was the easiest part as these words attributed to Anais Nin (1903 - 1977) have long held resonance for me:

'And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.'

I relate to it because I wasted a lot of years wanting desperately to paint and draw, but was too fearful to try.

Having decided on the quotation I jotted down several ideas in my notebook, starting with something that was almost a mini installation. As my brain worked out the logistics the ideas became simpler until I ended up with this. I initially used pencil to draw the stages of the bud, semi opening and then fully opened blossom on Fabriano '5' hot pressed watercolour paper. This paper is smooth and bright white, a great contrast to the black ink. I introduced passages of ink into the background first before tackling the blossom. Areas were strengthened and some spatter added.

Background and stages of blossom in Indian ink...

 
I considered carefully whether I wanted text on the painting itself. Having made the decision to include it - how and where? I chose to write the quotation sideways, and to repeat it several times. To help integrate the words into the overall design I used counterchange with white ink on the darker background, and black ink on the lighter areas. I created a mottled effect by brushing diluted black ink over some of the starker white writing to 'push it back' visually. Finally, I added some linear work with a dip pen, again using counterchange. The block of writing to the left of the paper helped to balance the image as the larger open flower on the right is quite commanding. I was pleased with the end result.

Detail of text added sideways to left of painting

Is there a piece of poetry, song lyric or quotation that has personal meaning for you? How could you respond to it in your artwork? This challenge could help give you a nudge out of your usual comfort zone, it certainly made me think as I don't usually include words.

Sketching in Norwich Castle, Natural History Room

Pop in For a Pound - opportunity for a quick drawing session...

Last Monday I accompanied my son to Norwich and while he went off on a mission of his own I decided to nip up to the Castle Museum. I fancied visiting the Natural History Room but wasn't sure what the ticket price would be. I decided if entry was full price, as I would only be there a short while, it wouldn't really be worthwhile. If it was a reduced rate then I would go for it. Well, what a stroke of luck! A scheme is currently running to encourage lunchtime visitors whereby you pay £1 for one hour, and as I had arrived at 12.50pm I still qualified for the discount. I checked that sketching with pencil in a sketchbook would be permitted and was told that was fine and fold up seats were available nearby if required.

I headed into the quiet calm of the Natural History Room and was delighted to see several students seated before the displays, all merrily drawing. I did make use of a seat and as time was limited I settled quickly before a glass cabinet with various antelope.

Great opportunity to study animals up close.

Several small parties of young school children trooped through, plus a few general visitors, but my eyes remained busy, flicking constantly between the taxidermy animals and the page of pencil lines as I attempted to describe the elegant curving lines of antelope and their amazing horns. An hour passed by in a flash and it was time to head back down to the shops, back to the hustle and bustle.

Why not seek out your local museum and spend time with your sketchbook instead of spending money and energy in the retail stores? Your mind and spirit will be refreshed, and you will have filled a few more pages!

 

Another Attempt at YouTube Videos!

Tubes of watercolour

Watercolours seem to be featuring quite a lot in my recent work, and also in the mixed media classes that have just started back after the Christmas break. This medium is so seductive, but probably one of the trickiest as there are so many variables - and to my mind it works best when 'given it's head' a bit. The paint likes to move by itself in water and it is scary to not be totally in control, but this is when watercolour seems to be magic! I decided to have another go at making a YouTube video and use it to introduce the materials and some basic principles/techniques as hints and tips. My previous attempts were time lapse - this would involve speaking...

The introduction involved two attempts. The first time I tailed off at one point, forgetting what I wanted to say. However once I moved into chatting about the materials and the actual demonstration parts it was fine. In fact, once I'm off, there's no stopping me and I totally forgot that at the moment my YouTube account will only allow 15 minute maximum video length. I definitely exceeded that. Consequently, I had to discover (fast) how to edit and trim the video into two parts. Also how to join the short introduction so it was incorporated into the first section. So, the video has been posted in two parts again - not ideal but I will remember the shorter time frame in future. The good news? I also learnt how to use YouTube editor to add a title and an end frame with this blog address.

Thinking About Watercolour 1:  Introduction and Basic Materials

Thinking About Watercolour 2: Basic Hints and Tips

Hope you enjoy my efforts, and would love any feedback!

Sketching Frenzy in the Frost

Frosty morning. Pollarded willow branches piled high.
Sketchbook page.

From Artist in an Acre journal entry (this morning):

Bimbling around the bedroom - shower, drying hair, daydreaming. Throw back the curtains - sparkling frost! Already the weak pale light/warmth of the morning sun threatens to melt it quickly away. Thick jacket on and out I go.

In the studio I swish on a darkish background in black gesso with burnt umber, bronze yellow and a touch of white added. Opaque line work should work over the top to describe all the branches piled high on the bonfire.

Quick application of paint for dark background on pages.

Let out Somme, who snatches up his squashed basketball and heads off up the paddock at a rate of knots. I follow with sketchbook, collapsible stool and tin of Inktense sticks. Start straight into drawing with coloured linework mimicking the growth of branches and twigs. Can only use approximate colours and modify or try for 'frost' by utilizing the white. Dash in a few dark marks to hint at the depths of the pile. Side of green stick to suggest distant hedge, trees, then work heavily with white into this and over blue for sky - attempting to silhouette some branches against the sky. Using lighter colour try and cut in around base and edges of pile.

Close up detail of drawing.

Quickly assess - few more darks, think I can't say any more with this one.

Somme moves before I can note what's happening with hind legs...

Opposite page - already dark base painted on. Frost rapidly melting. Somme is stretched in the grass nearby - in white Inktense stick I attempt to describe his shape - block in negative space around. He moves. Settles again, new position. Flip over page. Dark stick on white of paper. Few lines - fairly high viewpoint as look across and down to him. He moves.

Bit better...

Suddenly acutely aware of cold. Silly, forgot to put gloves on! Pack away quickly. Somme energised by my movements - he snuffles at the sketchbook and tin on the seat of the stool. Thin tin flips off - lid flys off and - of course - tin lands open, upside down! Most sticks remain snuggled in the foam 'holder' of tin, a few fall out. Scrabble in frosted grass, now thawing, getting damp. Find all but one quarter of pale ochre. Fingers painful with cold by now. Calling the dog I pop to studio, leave equipment just inside the door. Somme put away in his run, snaffles the treats offered greedily. Up to the house to the warmth of the kitchen and ready for a cup of tea.

11 a.m. - all the frost has gone.

Somme, stool, sketchbook, Inktense sticks.
Frost almost melted... time to go in and warm up!

Sketching Pigeons on the Patio (Again)

Pencil sketches of birds on the patio...

I can see birds will feature quite heavily in my sketchbooks this year! I always enjoy seeing them swoop down onto the patio to feed on grains and seeds we put out and get a lot of satisfaction attempting to capture something on paper. One or two are starting to show a little more detail, I think, as I start to get to grips with their shapes and the way the wings fold back around the body.

Note (to right) of all the different birds who visited in that short space of time

In the photo above, the bottom left sketch was a delightful collar dove perched on the 'wave' of the decorative fence, the feathers on the chest were all puffed out. He seemed to be enjoying the morning sun. To the right is a list of all the different species of birds I saw in the short time I was observing through the kitchen window - eight in all! I ought to get the bird books out and find out more about them, maybe take time to do some more detailed colour sketches and familiarize myself with the markings and characteristics.

Have you tried sketching birds as they go about their daily life? Not an easy task - they will keep moving!    

Artist in an Acre - Personal Project for 2014

Personal project brief... and up and running!

Almost a fortnight into the New Year. Did you make any resolutions? How are they holding up? Having made so many last year I decided to be more focused on a single resolution for 2014 - and so a personal project has been born :  Artist in an Acre.

My aim is to maximize time spent on developing personal work and a visual language whilst exploring, discovering and documenting my front garden, patio area, back garden and in our small paddock. (Yes, you guessed, the area of these is probably just over an acre - "our little bit of England" as my husband describes it). The plan is to do this with research, investigation and interpretation through the processes of drawing/painting/photography and video. I have even composed a personal project brief! This step feels like a real commitment and already I am on my way...

Sketchbook pages 1

Sketchbook pages 2

Just after New Year we had the willow tree that grows alongside the studio pollarded, this is necessary every few years otherwise the branches scrape against the felt shingle roof and damage it. We all pitched in to help, but I did manage to grab a short time to try and record the activity. Constantly moving, no time for posing, I just had to keep looking at the figures even as my pencil moved across the paper... real 'action shots'.

Sketchbook pages 3

I have also scuttled up the paddock on another occasion when the sky and lighting were quite dramatic, to scribble a quick sketch with notes to act as reminders in case I'm inspired to work on a painting from it at some point. I have grabbed the opportunity to study some of the old apples still hanging on grimly to the apple trees in the front garden, knowing that if I delay the birds will have finished them off.

Sketchbook pages - apple studies in sepia Pilot pen

Currently I am working in a 81/2" x 12" sketchbook with good quality cartridge paper pages, I plan to do some work in situ on larger sheets of individual paper plus some paintings. So please do visit regularly to see what is happening.

Why not set yourself a project of some kind? Perhaps explore your own surroundings? Or maybe focus on still life for a period of time... or figures... or portraits...What might you achieve with a concentrated period of time on something specific? I would love to hear.

Captured on camera by my son!